June
1999
Making
a House a Home
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Four
award-winning architects speak of their experiences designing
homes according to the principles of Maharishi Sthapatya Veda
Design
The face of Fairfield, Iowa is changing—fast. Almost overnight a
building boom has swept through the small (pop. 10,000) southeast-Iowa
town, home of Maharishi University of Management. In fact, some locals say
that there are more new homes and office buildings going up right now than
anytime in the town’s 150-year history. And almost all of the buildings
going up share one thing in common: They are being designed and built
according to the timeless principles of architecture that are in accord
with natural law—Maharishi Sthapatya Veda. The building boom has turned
Fairfield into a national showcase for homeowners and real estate
developers who are interested in incorporating this complete system of
architectural design into their buildings.
Fairfield is also home to a large number of highly experienced, highly
skilled architects from all over the world who have successfully
incorporated their traditional design skill with the principles of
Maharishi Sthapatya Veda. Four of these architects talked to Enlightenment
about their experiences designing homes and office buildings in harmony
with Natural Law.
Enlightenment: What appeals to you most about Maharishi
Sthapatya Veda design?
Jonathan Lipman: We architects of the twentieth century have
made a muddle of our work. For example, we’ve created housing
developments that had to be torn down after 20 years because they
sponsored crime. And we so routinely design buildings that poison their
occupants that we’ve had to invent the term "sick building
syndrome." In Maharishi Sthapatya Veda we have access to a reliable
series of rules of architectural cause and effect, so that for the first
time in modern history we can be assured that we are designing buildings
that will have only beneficial effects on their users. This is thrilling,
and very fulfilling to an architect.
Tony Lawlor: Maharishi Sthapatya Veda offers the fulfillment of
what I wanted to do when I became an architect. I went into the building
industry not just to have a job, but to feel the deep connection that
comes from designing a building in a meaningful way. With Maharishi
Sthapatya Veda, a home is not just a box where you put your stuff in; it’s
really a place for dwelling on the earth that puts you in harmony with the
processes of Nature.
Henry Dearborn: With Maharishi Sthapatya Veda everything has a
reason, everything makes sense, everything has an order to it. I visited
Washington, DC, recently, and I went through many houses in the most
expensive areas of the city, and it was chaos. It almost seemed as if the
architects couldn’t think of what new to do to make the houses
interesting—there were so many odd angles and different features. It was
as if they were bored with what they were doing. With Maharishi Sthapatya
Veda there’s always a reason why you do something, which creates a real
beauty and order to the whole building.
Enlightenment: How do you describe
Maharishi Sthapatya Veda design to fellow architects?
Jonathan Lipman: I say that from the most ancient culture in the
world—India, the land of the Veda—Maharishi Mahesh Yogi has located a
series of timeless principles which describe the fine mechanisms whereby
nature creates proportion and shapes objects, such as planets and stars
and trees and human bodies. This ancient discipline of Sthapatya Veda
gives us these principles, and allows architects to apply them to creating
houses and office space. And when we do that—and when people live in
these buildings—they have the most profound experience of "being at
home" because they are in an environment that is entirely consistent
with their own inner nature.
Enlightenment: How do architects and the
public respond to these principles?
Tony Lawlor: Most architects grasp these principles when they
start using them, because they are the essence of architecture—they’re
the DNA of architecture. In some abstract way architects studied them in
school and have seen them in great buildings throughout history, but then
all of a sudden it’s made concrete through Maharishi Sthapatya Veda.
Carmen Quinton: I was working on a Maharishi Sthapatya Veda
house in Montreal, and one of the requirements, from a design point of
view, was that the house had to melt into the other houses in the
neighborhood. They didn’t want it to stand out in any way, shape, or
form. After the house was built, people would knock on the door and say,
"I have to come see your house, and I don’t know why." They
would go into the house, and without knowing anything about the
principles, they would say, "Oh, I feel so wonderful here. I don’t
want to leave. This is the most beautiful house I’ve ever been in."
It was a beautiful home—there certainly were far more expensive homes in
the area—but the people just didn’t want to leave.
Enlightenment: What is the future of Maharishi Sthapatya
Veda in North America?
Tony Lawlor: The desire to have a home is one of the most
fundamental human desires. And yet people are realizing that a more
expensive and more complex house doesn’t necessarily create that sense
of home. So inevitably people, in their search for a true home, will come
to Maharishi Sthapatya Veda.
Carmen Quinton: I gave a symposium on Maharishi Sthapatya Veda
in Ontario, Canada. It was open to the public and it was packed.
Afterwards people came up to me and said, "We do not want to return
to our homes after the knowledge we heard tonight." Even though these
people had never heard about Maharishi Sthapatya Veda before, it resonated
at the deepest level of their being and they embraced it. Everyone wants
something better in their lives. That is why Maharishi Sthapatya Veda is
the future of architecture. We just need to tell more people about it. And
they need to experience this profound knowledge...this beautiful knowledge
that makes every part of their life better.
Jonathan Lipman, A.I.A., is Chief Architect of
Maharishi Global Construction and Director of the Maharishi Sthapatya Veda
Consultation Service for North America. Jon has overseen over 150
Maharishi Sthapatya Veda design consultations across the U.S. on houses
and commercial buildings. He is an award-winning architect and Past
President of the Frank Lloyd Wright Building Conservancy.
Henry Dearborn has been a Washington, DC-area
architect for over 20 years, first designing single-family residential
homes and later high-rise apartment buildings. He has been utilizing
Maharishi Sthapatya Veda design for five years.
Tony Lawlor has been an architect for 25 years,
working first with a large architectural firm in San Francisco that
designed high-rise office buildings. He came to Fairfield ten years ago
where he has done mostly residential work. He is also the author of two
critically acclaimed books on architectural design.
Carmen Quinton, O.A.Q., has practiced
architecture for over 25 years and taught interior design and architecture
for 15 years. Before moving to Fairfield 12 years ago, she was partner at
one of the oldest firms in Montreal where she designed educational,
commercial, industrial and civic buildings as well as awarding-winning
historical restorations. She was the founding director of the former MIU
Institute of Maharishi Sthapatya Veda and has been using these principles
in her work for almost a decade.
For more information on Maharishi Sthapatya Veda
call 515-472-9605 (US) or 613-565-8525 (Canada) or visit: www.MGC-Vastu.com.
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